{"id":124,"date":"2015-02-05T18:46:00","date_gmt":"2015-02-05T17:46:00","guid":{"rendered":"http:\/\/vision.wettintv.de\/?page_id=124"},"modified":"2022-04-11T15:09:28","modified_gmt":"2022-04-11T14:09:28","slug":"16-sound-music-and-sound-effects","status":"publish","type":"page","link":"https:\/\/vision-videoschool.eu\/?page_id=124","title":{"rendered":"Sound, music and sound effects"},"content":{"rendered":"<div class=\"pdfprnt-buttons pdfprnt-buttons-page pdfprnt-top-right\"><a href=\"https:\/\/vision-videoschool.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fpages%2F124&print=pdf\" class=\"pdfprnt-button pdfprnt-button-pdf\" target=\"_blank\" ><img decoding=\"async\" src=\"https:\/\/vision-videoschool.eu\/wp-content\/plugins\/pdf-print\/images\/pdf.png\" alt=\"image_pdf\" title=\"PDF anzeigen\" \/><\/a><\/div><h2 style=\"text-align: justify;\"><b>Introduction<\/b><\/h2>\n<p style=\"text-align: left;\">In this chapter you&#8217;ll learn how to record sound for different types of film. There&#8217;s an overview the\u00a0equipment you can use, as well\u00a0tips and tricks for dealing with common problems in sound-recording.<\/p>\n<table style=\"border-color: #ffffff;\">\n<tbody>\n<tr style=\"height: 33px;\">\n<td style=\"border-color: #ffffff; text-align: left; vertical-align: top;\">\u00a0<img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-3206\" src=\"https:\/\/vision.wettintv.de\/wp-content\/uploads\/2015\/03\/corner_lt.png\" alt=\"corner_lt\" width=\"30\" height=\"33\" \/><\/td>\n<td style=\"border-color: #ffffff;\">\n<h2>\u00a0<span style=\"color: #e3890b;\">Vision <em>in action<\/em><\/span><\/h2>\n<\/td>\n<td style=\"border-color: #ffffff;\">\u00a0<img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-3208\" src=\"https:\/\/vision.wettintv.de\/wp-content\/uploads\/2015\/03\/corner_rt.png\" alt=\"corner_rt\" width=\"30\" height=\"33\" \/><\/td>\n<\/tr>\n<tr style=\"border-color: #ffffff;\">\n<td style=\"border-color: #ffffff;\"><\/td>\n<td style=\"border-color: #ffffff;\">\n<ol>\n<li>Decide\u00a0what\u00a0sound you&#8217;ll need at the script-writing stage. This can include dialogue, music, ambient\u00a0sound and special effects. Think about how you will create or source\u00a0these sounds.<\/li>\n<li>When you record sound, always point the\u00a0microphone or recording device at\u00a0the sound source. Alternatively, place it in the middle of\u00a0several sound sources according to the polar pattern of the microphone.<\/li>\n<li>Always carry earphones with you so you can check the sound quality\u00a0on the spot.<\/li>\n<li>Learn how to check the sound levels on your camera. You also need to know how to adjust the gain or put it into automatic adjustment mode. Be careful not to exceed the maximum level of 0 dB (analogue devices) or -9 db (digital devices).<\/li>\n<li>Always have fully charged extra batteries with you\u00a0for the recording device.<\/li>\n<\/ol>\n<\/td>\n<td style=\"border-color: #ffffff;\"><\/td>\n<\/tr>\n<tr style=\"height: 33px;\">\n<td style=\"border-color: #ffffff; width: 30px; height: 33px;\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-3205 alignleft\" src=\"https:\/\/vision.wettintv.de\/wp-content\/uploads\/2015\/03\/corner_lb.png\" alt=\"corner_lb\" width=\"40\" height=\"44\" \/><\/td>\n<td style=\"border-color: #ffffff;\"><\/td>\n<td style=\"border-color: #ffffff; width: 30px; height: 33px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-3207\" src=\"https:\/\/vision.wettintv.de\/wp-content\/uploads\/2015\/03\/corner_rb.png\" alt=\"corner_rb\" width=\"40\" height=\"44\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h2>Equipment and tools<\/h2>\n<p style=\"text-align: left;\">Basic sound effects and general sound can be recorded on your video-making device (camera, photo camera, mobile phone, etc). For more advanced recording of sound, you will need different types of microphone, audio recording devices and accessories, including a computer and boom pole.<\/p>\n<h2 style=\"text-align: justify;\"><b>Main section<\/b><\/h2>\n<p style=\"text-align: left;\">Although the earliest\u00a0films had no\u00a0sound, screenings\u00a0were accompanied by live music\u00a0almost from day one. This usually\u00a0involved a musician\u00a0playing\u00a0the\u00a0piano, violin or guitar, though some cinemas used\u00a0entire orchestras.<\/p>\n<p style=\"text-align: left;\">Sound was first recorded in 1927, and since then film-makers have used it\u00a0in various ways. Some have\u00a0even claimed that achieving good sound is half the battle when making a film. It&#8217;s true that sound is very important in video-making, and you should start thinking about it\u00a0at the preparation stage\u00a0of your project.<\/p>\n<p style=\"text-align: left;\">The role of sound as a means of expression is perhaps\u00a0most important\u00a0in feature, animation and documentary movies. However, it&#8217;s also key in other types of video, like TV news items, in-depth reports\u00a0and even simple video collages.<\/p>\n<h3 style=\"text-align: justify;\"><b>Types of sound<br \/>\n<\/b><\/h3>\n<h4 style=\"text-align: justify;\">Sound from the camera<\/h4>\n<p style=\"text-align: left;\">All video-recording devices nowadays have a built-in microphone. Sound recorded in this way can be used for general ambience, but it&#8217;s not usually suitable for recording dialogues or interviews. The problem is that, if you\u00a0want to amplify the voice at the editing stage, you are\u00a0boosting the ambient sound too. This makes\u00a0dialogues or interviews incomprehensible.<\/p>\n<p style=\"text-align: left;\">There are several ways\u00a0to get\u00a0good sound quality\u00a0from\u00a0your\u00a0camera:<\/p>\n<ul>\n<li style=\"text-align: left;\">Film in a quiet environment with very few or no other sound sources around you, like traffic or\u00a0machine noise.<\/li>\n<li style=\"text-align: left;\">Place\u00a0the camera as close to\u00a0the sound source\u00a0as your framing allows, with maxed zoom-out.<\/li>\n<li style=\"text-align: left;\">Some cameras have a microphone zoom-in option alongside the lens zoom-in. Look through the menu of your camera for\u00a0ways of using this function.<\/li>\n<\/ul>\n<p style=\"text-align: left;\">Even if\u00a0you don&#8217;t\u00a0use it in the final edit of your film, the sound from a built-in microphone is still very important. You will use it to synchronise sound from external sound-recording devices and audio tracks from other cameras.<\/p>\n<p style=\"text-align: left;\">And despite some\u00a0disadvantages, you might still find that you can record music with reasonable sound quality\u00a0\u2013 for example someone playing an instrument \u2013\u00a0using your camera&#8217;s built-in microphone.<\/p>\n<h4 style=\"text-align: justify;\">Dialogues and interviews<\/h4>\n<p style=\"text-align: left;\">Videos\u00a0are a way of\u00a0conveying\u00a0information through\u00a0images, but images are not always enough.<\/p>\n<p style=\"text-align: left;\">This is where dialogue comes in. It&#8217;s a great tool of creative expression, and\u00a0there are films\u00a0based entirely\u00a0on intelligent conversation.<\/p>\n<p style=\"text-align: left;\">You can show that\u00a0a person has\u00a0a headache using only visuals and no words \u2013\u00a0for example, the person looks tired, they&#8217;re\u00a0holding their\u00a0head, taking a pill, etc. Or the headache can be explained verbally\u00a0\u2013\u00a0the person tells someone\u00a0how he or she feels.\u00a0It&#8217;s not common to show something using both\u00a0picture and sound\/words in feature films, as this doubles the message unnecessarily.<\/p>\n<p style=\"text-align: left;\">In short TV news items and in in-depth reports the information is usually doubled \u2013\u00a0what we hear relates to the picture we see. If a\u00a0narrator is talking about\u00a0an\u00a0event off-camera, we usually see exactly what they are\u00a0describing. This makes the report more trustworthy.<\/p>\n<p style=\"text-align: left;\">When you\u00a0record dialogues and interviews, use an\u00a0external microphone attached to the camera or another external recording device, rather than your camera&#8217;s built-in microphone.<\/p>\n<h4 style=\"text-align: justify;\">Voice-over<\/h4>\n<p style=\"text-align: left;\">A voice-over is a piece of narration where you can&#8217;t see the person talking, you just hear the sound of their voice.<\/p>\n<p style=\"text-align: left;\">Voice-overs are very common in feature films, documentaries, TV news items and reports.\u00a0They lead\u00a0the viewer through the story, explain or comment on situations, share information that might not be included in\u00a0the picture, and create a particular\u00a0atmosphere. Voice-over can also be used to\u00a0share the narrator&#8217;s\u00a0thoughts and opinions.<\/p>\n<p style=\"text-align: left;\">A\u00a0voice-over is usually recorded after filming has finished. For feature films\u00a0the voice-over text is usually prepared at the\u00a0script-writing stage. For documentaries, news items\u00a0and reports,\u00a0the text is usually written at\u00a0the editing stage, when you have your picture material and\u00a0the answers from any\u00a0interviews. That way you can\u00a0adjust the text to the available information and visuals.<\/p>\n<h4 style=\"text-align: justify;\">Ambient sound and sound effects<\/h4>\n<p style=\"text-align: left;\">Ambient sound can be recorded on\u00a0location using your camera. It can also be recorded and added at the editing stage.<\/p>\n<p style=\"text-align: left;\">It can sometimes\u00a0help to add sound that might\u00a0not have been present\u00a0on\u00a0location but helps to create the right atmosphere.\u00a0This could be\u00a0the sound of wind, waves, birds chirping, creaking, rustling, and even annoying machine sound.<\/p>\n<p style=\"text-align: left;\">If you&#8217;re showing the\u00a0source of a particular\u00a0sound in your\u00a0video,\u00a0but weren&#8217;t able to record the sound well or don\u2019t actually like it, you can add sound effects \u2013\u00a0for example a door\u00a0slamming, a doorbell\/telephone ringing.<\/p>\n<p style=\"text-align: left;\">Sounds effects are also used to bring to life\u00a0unfamiliar settings, for example space (where you can&#8217;t\u00a0actually hear anything), heaven, or a\u00a0futuristic location. And they can help to\u00a0stress an\u00a0action or emotion, for example punches and slaps in action films.<\/p>\n<p style=\"text-align: left;\">Be creative, and\u00a0play around with the combination of sound and picture, either to emphasise or contradict the depicted action. Showing\u00a0a\u00a0busy street with lots traffic but\u00a0no sound tells audience how the character might feel \u2013\u00a0for example detached from their surroundings or preoccupied with a traumatic personal event.<\/p>\n<h4 style=\"text-align: justify;\">Music<\/h4>\n<p style=\"text-align: left;\">Music can really help you create the right sort of\u00a0atmosphere in your video, as well as\u00a0arousing feelings of joy, sadness or anger.<\/p>\n<p style=\"text-align: left;\">There are several ways of sourcing music for your project. You\u00a0could invite a &#8218;composer&#8216; to create\u00a0music\u00a0especially for your film. This could\u00a0be a\u00a0friend who plays an\u00a0instrument or composes music using\u00a0a computer. They\u00a0can adapt\u00a0the music\u00a0according to your idea\u00a0of the final result.<\/p>\n<p style=\"text-align: left;\">You could also use\u00a0music that already exists. This\u00a0can be a classical work or folk songs that\u00a0your school orchestra may\u00a0be able to perform. You&#8217;ll need to confirm that\u00a0the original sheet music or the specific interpretation of the work that you are using \u00a0for the recording aren&#8217;t copyrighted<span style=\"color: #333333;\">.<\/span><\/p>\n<p style=\"text-align: left;\">Or you could use\u00a0music by\u00a0a\u00a0band\u00a0you know that can give you\u00a0permission. There is also free music on the internet, or, if you have the budget, you may be able to\u00a0buy the right to use someone&#8217;s music\u00a0at a low\u00a0price. Find out more in <a title=\"Free internet resources to support video work\" href=\"https:\/\/vision.wettintv.de\/?page_id=905\">Free internet resources<\/a>.<\/p>\n<h4 style=\"text-align: justify;\">Silence<\/h4>\n<p style=\"text-align: left;\">In real life silence is never\u00a0the absolute absence of sound. Even when it&#8217;s really quiet you&#8217;ll be able to hear ambient sounds. That&#8217;s why sound\u00a0is never completely muted in films.<\/p>\n<p style=\"text-align: left;\">Silence draws the viewer&#8217;s\u00a0attention to\u00a0the picture. It is often used for\u00a0close-ups, where a person&#8217;s\u00a0facial expression conveys emotions.<\/p>\n<h3 style=\"text-align: justify;\"><b>Camera and sound recording <\/b><\/h3>\n<p style=\"text-align: left;\">Making\u00a0good recordings of sound, especially dialogue, is a challenging task in\u00a0low-budget productions.<\/p>\n<p style=\"text-align: left;\">If you&#8217;re\u00a0using a small video camera or a photo camera with a video-recording function, you probably won&#8217;t be able to\u00a0attach an external microphone to it. The sound captured directly through\u00a0the camera&#8217;s built-in microphone will be poor and full of background noise.<\/p>\n<p style=\"text-align: left;\">A middle-range video camera will usually have\u00a0a separate audio input for one microphone; this can be a\u00a0small jack or a slot on the top of the camera.<\/p>\n<p style=\"text-align: left;\">Better-quality video cameras usually have two <span style=\"color: #333333;\">audio inputs; these can be either\u00a0<\/span><span style=\"color: #333333;\">XLR\u00a0<\/span>or small jacks. Each input links to a separate channel. You can choose whether to record a\u00a0different sound\u00a0on\u00a0each microphone\/channel \u2013\u00a0for example, ambient sound on\u00a0one and an interview on\u00a0the other \u2013\u00a0or to capture the same sound through both microphones and record it on a single channel. The first option gives you more flexibility when you manipulate sound in post-production.<\/p>\n<h4>Different connectors<\/h4>\n<div id='gallery-1' class='gallery galleryid-124 gallery-columns-3 gallery-size-medium'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/vision-videoschool.eu\/?attachment_id=2045'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Sound_cinch-300x200.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Sound_cinch-300x200.jpg 300w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Sound_cinch-644x429.jpg 644w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/vision-videoschool.eu\/?attachment_id=2046'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Sound_jack_small_jack-300x200.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Sound_jack_small_jack-300x200.jpg 300w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Sound_jack_small_jack-644x429.jpg 644w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/vision-videoschool.eu\/?attachment_id=2051'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Sound_xlr_cannon-300x200.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Sound_xlr_cannon-300x200.jpg 300w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Sound_xlr_cannon-644x429.jpg 644w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p style=\"text-align: center;\"><em>RCA or cinch connector (left), jack\/small jack (middle), and XLR connector (right)<\/em><\/p>\n<h4 style=\"text-align: justify;\">Adjusting sound levels on your camera<\/h4>\n<p style=\"text-align: left;\">You will probably find different options for adjusting sound in the menu of your camera. Some might be\u00a0activated\u00a0by buttons on\u00a0the camera itself. Read your camera&#8217;s manual to find out how best to adjust the sound levels.<\/p>\n<h4 style=\"text-align: justify;\">Adjusting the recording level<\/h4>\n<p style=\"text-align: left;\">You can adjust the recording level manually. You should be able to\u00a0see the recording-level scale on your display screen, and\u00a0monitor it while you record.<\/p>\n<p style=\"text-align: left;\">For the best\u00a0result, set the maximum recording level on analogue devices to\u00a00 dB (the red point). On\u00a0digital devices the limit is -9 dB; this should be\u00a0the loudest sound you record in a scene.<\/p>\n<p style=\"text-align: left;\">If you have a scene that ends with a scream, for example, set the sound level to match the volume of the scream. This is useful if\u00a0you want to maintain\u00a0a\u00a0realistic sound level at all\u00a0times, for example when you&#8217;re filming a conversation or a music performance.<\/p>\n<p style=\"text-align: left;\">The automatic adjustment function usually raises the recording level when the\u00a0sound is\u00a0quiet. If the sound suddenly\u00a0becomes louder \u2013\u00a0an exclamation during a\u00a0conversation or a louder song \u2013\u00a0this may lead to an inappropriately\u00a0high recording level and\u00a0distortion while\u00a0the camera adjusts to the volume of the actual sound.<\/p>\n<blockquote>\n<p style=\"text-align: left;\">Sound recorded with a good external microphone (for example shotgun or wireless) will be clear and almost free of\u00a0ambient noise <span style=\"color: #ffffff;\">even if you increase\u00a0the <\/span>volume<span style=\"color: #ffffff;\">\u00a0in the final edit.<\/span><\/p>\n<p style=\"text-align: left;\">That&#8217;s why it&#8217;s better to have a slightly quieter\u00a0recording that can be adjusted to the necessary sound\u00a0level at the editing stage. A very loud or distorted recording means\u00a0an irreversible loss of quality.<\/p>\n<\/blockquote>\n<p style=\"text-align: left;\">When shooting with a camera that can record sound on two channels, you can set the levels for each channel separately. If you&#8217;re using two\u00a0different microphones, set up each one on a separate channel (don&#8217;t combine them on the same channel) to give yourself more sound-editing options.<\/p>\n<p style=\"text-align: left;\">Mic NR is a function for reducing the motor noise from the camera itself. It&#8217;s good\u00a0to turn it on when you&#8217;re shooting with a built-in camera microphone. Turn it off when you use an external microphone.<\/p>\n<p style=\"text-align: left;\">The wind or low-cut function is a filter that aims\u00a0to remove wind\u00a0noise. However, if you&#8217;re shooting in windy conditions, use a wind muff instead of\u00a0relying on this\u00a0filter.\u00a0The wind muff\u00a0is\u00a0a cover made of fuzzy sound-absorbing fabric, often called &#8218;hamster&#8216; or &#8218;dead cat&#8216;.<\/p>\n<p style=\"text-align: left;\">The Mic att (attenuation) function is only used in\u00a0extremely loud conditions, for example at a concert. Use it whether you&#8217;re recording the sound coming out of the loudspeakers or sound is fed directly into the camera through a cable.<\/p>\n<h3 style=\"text-align: left;\"><b>Recording sound with external microphones or recording devices<\/b><\/h3>\n<h4 style=\"text-align: justify;\">Using a microphone with a boom pole<\/h4>\n<p style=\"text-align: left;\">This is a very common way of\u00a0recording sound, especially a dialogue or a scene with several\u00a0people.<\/p>\n<p style=\"text-align: left;\">One person in your team\u00a0should be the designated boom operator. He or she\u00a0will be responsible for placing the microphone correctly and for\u00a0the quality of the recorded sound.<\/p>\n<p style=\"text-align: left;\">The boom pole is a stick made of light material. A microphone is placed on the boom pole\u00a0which you\u00a0can then move\u00a0close to the actors&#8216; mouths or other sound sources.\u00a0The\u00a0boom operator must stand where neither they nor the boom pole, microphone or\u00a0cable (or their shadows) can be seen\u00a0in the picture.<\/p>\n<p style=\"text-align: left;\">A microphone basket with a wind muff is also often used when recording sound.<\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">[PICTURE on the set recording with a boom microphone and boom pole]<\/span><\/p>\n<blockquote>\n<p style=\"text-align: left;\">Different microphones have different areas of coverage.\u00a0This depends on their\u00a0polar pattern \u2013\u00a0an indicator that\u00a0shows how sensitive they are to sounds coming from different directions.<\/p>\n<p style=\"text-align: left;\">Omnidirectional microphones record sound from all directions. Unidirectional ones \u2013 like cardioid, bidirectional and shotgun microphones \u2013\u00a0record sounds from just\u00a0one or two directions, using\u00a0either a wide or a narrow angle.\u00a0Shotgun microphones are commonly used in film and TV productions.<\/p>\n<p style=\"text-align: left;\">Some microphones or external sound-recording devices can be set to different polar patterns.<\/p>\n<p style=\"text-align: center;\">Illustration: omnidirectional, cardioid, bidirectional and shotgun microphone.<\/p>\n<div id='gallery-2' class='gallery galleryid-124 gallery-columns-1 gallery-size-medium'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/vision-videoschool.eu\/?attachment_id=2053'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"155\" src=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Sound_microphone-polar-pattern-300x155.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Sound_microphone-polar-pattern-300x155.jpg 300w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Sound_microphone-polar-pattern-644x332.jpg 644w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Sound_microphone-polar-pattern.jpg 1055w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n<\/blockquote>\n<h4 style=\"text-align: justify;\">Using a hands-free wireless\u00a0microphone<\/h4>\n<p style=\"text-align: left;\">This sort of microphone is a great tool\u00a0for recording sound when the speaker is moving. That way you don&#8217;t need\u00a0someone to hold a larger microphone or support a\u00a0boom pole, and you avoid the\u00a0risk of accidentally\u00a0including\u00a0the microphone or a cable in the picture.<\/p>\n<p style=\"text-align: left;\">Wireless hands-free microphones\u00a0are often used in reality TV shows, talk shows,\u00a0and to\u00a0record interviews, usually in\u00a0a studio. They\u00a0can also be used in documentary films\u00a0in any location to give interviewees more freedom\u00a0to move around. This makes the video more dynamic while\u00a0still achieving\u00a0excellent sound.<\/p>\n<div id='gallery-3' class='gallery galleryid-124 gallery-columns-2 gallery-size-medium'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/vision-videoschool.eu\/?attachment_id=2049'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Sound_receiver_transmitter_mic-300x200.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Sound_receiver_transmitter_mic-300x200.jpg 300w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Sound_receiver_transmitter_mic-644x429.jpg 644w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/vision-videoschool.eu\/?attachment_id=2048'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"201\" src=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Sound_receiver-_on_camera-300x201.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Sound_receiver-_on_camera-300x201.jpg 300w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Sound_receiver-_on_camera-644x432.jpg 644w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p style=\"text-align: center;\"><em>Transmitter, receiver and microphone (left) and receiver attached to the camera<\/em><\/p>\n<p>&nbsp;<\/p>\n<div id='gallery-4' class='gallery galleryid-124 gallery-columns-2 gallery-size-medium'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/vision-videoschool.eu\/?attachment_id=2050'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"201\" src=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Sound_transmitter_on_person-300x201.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Sound_transmitter_on_person-300x201.jpg 300w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Sound_transmitter_on_person-644x432.jpg 644w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/vision-videoschool.eu\/?attachment_id=2047'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"201\" src=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Sound_microphone_attached-300x201.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Sound_microphone_attached-300x201.jpg 300w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Sound_microphone_attached-644x432.jpg 644w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p style=\"text-align: center;\"><em>Transmitter and lapel microphone attached to a\u00a0person<\/em><\/p>\n<h4 style=\"text-align: justify;\">Using a hand-held microphone<\/h4>\n<p style=\"text-align: left;\">This is the most common way of recording interviews for a news report. It is also used in some documentary films.<\/p>\n<p style=\"text-align: left;\">You can either include the\u00a0microphone in the picture or leave it out. If you don&#8217;t want the microphone to be visible, narrow your framing.<\/p>\n<p style=\"text-align: left;\">See <a title=\"Producing TV news or a reportage\" href=\"https:\/\/vision.wettintv.de\/?page_id=882\" target=\"_blank\" rel=\"noopener\">Producing TV news and reports\u00a0<\/a>for\u00a0more\u00a0advice on recording sound using a hand-held microphone.<\/p>\n<blockquote>\n<p style=\"text-align: left;\">Wired hand-held microphones are connected to your camera via a cable that can create\u00a0a crackling sound when it moves.\u00a0To avoid this, untangle the cable and hold one loop\u00a0with\u00a0the hand that holds the microphone.<\/p>\n<\/blockquote>\n<p><span style=\"color: #ffffff;\">[picture of ME 66 hold by a person]<\/span><\/p>\n<h4 style=\"text-align: justify;\">Using a handy portable recorder<\/h4>\n<p style=\"text-align: left;\">This is a great way of recording sound if you can&#8217;t\u00a0attach an external microphone\u00a0to your\u00a0camera. It&#8217;s also useful\u00a0when you&#8217;re using a photo camera, recording a live music performance, or recording sound for a stop-trick animation.<\/p>\n<p style=\"text-align: left;\">There are several brands of affordable\u00a0handy portable recorders. You should also buy\u00a0a tripod so\u00a0you can\u00a0place the recorder in an appropriate position during\u00a0the shoot. You can also attach the recorder to a\u00a0boom pole.<\/p>\n<p style=\"text-align: left;\">You&#8217;ll need to do a bit more work during the editing stage to synchronize the sound from a portable recorder with the picture from\u00a0the camera. In the end, though, you&#8217;ll get a much better sound quality than\u00a0that\u00a0from a built-in camera microphone.<\/p>\n<blockquote>\n<p style=\"text-align: left;\">Always point\u00a0the microphone in the direction of the sound source, for example a person&#8217;s mouth. If there are several\u00a0sound sources, for example loudspeakers at a concert, place the microphone\/recorder in the middle and at an equal\u00a0distance from all\u00a0sources. Find out more in\u00a0<a title=\"13 Filming and editing a concert or stage performance\" href=\"https:\/\/vision.wettintv.de\/?page_id=239\" target=\"_blank\" rel=\"noopener\">Filming and editing\u00a0a concert or stage performance.<\/a><\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">What if you don&#8217;t have the\u00a0equipment to record sound properly?<\/p>\n<ul>\n<li style=\"text-align: justify;\">Interview:\u00a0find\u00a0a quiet place for the shoot and bring the camera as close to\u00a0the interviewee as the framing allows.<\/li>\n<li style=\"text-align: left;\">Feature film: choose a type of movie that doesn&#8217;t require\u00a0spoken dialogue.<\/li>\n<li style=\"text-align: left;\">Make an old-fashioned silent movie, showing the actors&#8216; muted lines\u00a0on\u00a0text slides. You could add\u00a0music too.<\/li>\n<li style=\"text-align: left;\">Use\u00a0voice-over narration that you&#8217;ve recorded separately or titles that\u00a0give extra information about the\u00a0video material.<\/li>\n<\/ul>\n<h3 style=\"text-align: justify;\"><b>Sound editing<\/b><\/h3>\n<p style=\"text-align: left;\">It&#8217;s very common to use several audio tracks\u00a0for sound editing. After all, even though we can only see one video track at a time, we are able to hear several\u00a0sounds simultaneously \u2013\u00a0dialogue, ambient sound, music and any special effects.<\/p>\n<p style=\"text-align: left;\">Sounds can be cut, faded\u00a0or crossfaded. Often sound is\u00a0extended from one scene into the next\u00a0to ensure\u00a0a smooth transition. This is very common in\u00a0scenes or sequences with music. The music is audible during the transition into the next scene or sequence and then fades out.<\/p>\n<p style=\"text-align: left;\">You can also use sound to &#8218;announce&#8216; the next scene. For example, while we&#8217;re\u00a0observing\u00a0a person in a house we become aware of the sound of\u00a0an engine in the background.\u00a0In the next scene\u00a0we see a car approaching the house.<\/p>\n<blockquote>\n<p style=\"text-align: left;\">Avoid situations where the audience can hear a sound but\u00a0can&#8217;t see where it&#8217;s coming from, for example a dog&#8217;s\u00a0barking. This can distract the viewer\u00a0from what is actually happening in the scene. Try to show\u00a0all audible sound sources in\u00a0the video, for example by adding a shot of the barking dog at\u00a0the editing stage.<\/p>\n<\/blockquote>\n<p style=\"text-align: left;\">Where there are several different sounds in one scene, make sure they are\u00a0set to\u00a0the correct levels. For example, ambient sound or music shouldn&#8217;t be too loud when compared\u00a0to the sound of a conversation.<\/p>\n<blockquote>\n<p style=\"text-align: left;\">The sound from small computer speakers is very\u00a0different from what a home-cinema sound system can produce. Check the sound of your film on different types of speakers and sound systems, and try to find a middle ground\u00a0that offers good sound quality across the board.<\/p>\n<\/blockquote>\n<h2 style=\"text-align: justify;\"><b>Common mistakes<\/b><\/h2>\n<ol style=\"text-align: justify;\">\n<li style=\"text-align: left;\">You didn&#8217;t place the\u00a0recording device in a way that gives you\u00a0the best sound possible.<\/li>\n<li style=\"text-align: left;\">The level of the\u00a0dialogue\/interview\/narration and the level of the ambient sound or music aren&#8217;t well\u00a0balanced at the editing stage. For example, the ambient sound or the music is too loud, and\u00a0the spoken word is incomprehensible.<\/li>\n<li style=\"text-align: left;\">The film is &#8218;overloaded&#8216; with music. Sometimes less is more!<\/li>\n<li style=\"text-align: left;\">Using music without the copyright owner&#8217;s permission. Some film festivals and internet platforms won&#8217;t\u00a0allow you to publish or screen your film, and\u00a0you may have to pay a fine.<\/li>\n<\/ol>\n<h2><b>Exercises<\/b><\/h2>\n<ol style=\"text-align: justify;\">\n<li style=\"text-align: left;\">Watch different types of video\u00a0and film,\u00a0and listen out carefully for the different sound sources.<\/li>\n<li style=\"text-align: left;\">Discover what sound features and adjustment options your camera has.<\/li>\n<li style=\"text-align: left;\">Try to get\u00a0an external microphone or a portable recording device, and learn how to use it.<\/li>\n<\/ol>\n<h2 style=\"text-align: justify;\">Related topics and links to external resources<\/h2>\n<p style=\"text-align: justify;\">Chapter: <a title=\"Producing an interview\" href=\"https:\/\/vision.wettintv.de\/?page_id=190\" target=\"_blank\" rel=\"noopener\">Producing an interview <\/a><a title=\"Free internet resources to support video work\" href=\"https:\/\/vision.wettintv.de\/?page_id=905\">\/ <\/a><a href=\"https:\/\/vision.wettintv.de\/?page_id=239\" target=\"_blank\" rel=\"noopener\">Filming and editing a stage performance or a sports event<\/a>\u00a0<a title=\"Free internet resources to support video work\" href=\"https:\/\/vision.wettintv.de\/?page_id=905\">\/<\/a>\u00a0<a title=\"Editing\" href=\"https:\/\/vision.wettintv.de\/?page_id=993\" target=\"_blank\" rel=\"noopener\">Film editing with editing software<\/a>\u00a0<a title=\"Free internet resources to support video work\" href=\"https:\/\/vision.wettintv.de\/?page_id=905\">\/<\/a>\u00a0<a title=\"Free internet resources to support your video work\" href=\"https:\/\/vision.wettintv.de\/?page_id=905\" target=\"_blank\" rel=\"noopener\">Free internet resources to support your video work<\/a><\/p>\n<h2 style=\"text-align: justify;\">Terminology<\/h2>\n<p style=\"text-align: justify;\"><em>handy portable recorder, boom pole, off voice, ambient sound, jack \/ small jack, XLR connector, RCA or cinch connector, sound levels, Mic NR, wind or low cut function, Mic att (attenuation) function, Omnidirectional microphone, unidirectional microphone, bidirectional, cardioid, shotgun, wireless microphone, handy portable recorder<br \/>\n<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Introduction In this chapter you&#8217;ll learn how to record sound for different types of film. There&#8217;s an overview the\u00a0equipment you can use, as well\u00a0tips and tricks for dealing with common problems in sound-recording. \u00a0 \u00a0Vision in action \u00a0 Decide\u00a0what\u00a0sound you&#8217;ll need at the script-writing stage. This can include dialogue, music, ambient\u00a0sound and special effects. Think&#8230;<\/p>\n","protected":false},"author":2,"featured_media":3800,"parent":0,"menu_order":3320,"comment_status":"closed","ping_status":"closed","template":"page_fullwidth.php","meta":{"footnotes":""},"language":[7],"class_list":["post-124","page","type-page","status-publish","has-post-thumbnail","hentry","language-en_gb"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sound, music and sound effects - V I S I O N and A N I M A V I S I O N - Video School Online<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/vision-videoschool.eu\/?page_id=124\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sound, music and sound effects - V I S I O N and A N I M A V I S I O N - Video School Online\" \/>\n<meta property=\"og:description\" content=\"Introduction In this chapter you&#8217;ll learn how to record sound for different types of film. There&#8217;s an overview the\u00a0equipment you can use, as well\u00a0tips and tricks for dealing with common problems in sound-recording. \u00a0 \u00a0Vision in action \u00a0 Decide\u00a0what\u00a0sound you&#8217;ll need at the script-writing stage. This can include dialogue, music, ambient\u00a0sound and special effects. 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