{"id":156,"date":"2015-03-09T11:47:53","date_gmt":"2015-03-09T10:47:53","guid":{"rendered":"http:\/\/vision.wettintv.de\/?page_id=156"},"modified":"2022-04-11T12:07:19","modified_gmt":"2022-04-11T11:07:19","slug":"osnove-montaznega-misljenja","status":"publish","type":"page","link":"https:\/\/vision-videoschool.eu\/?page_id=156","title":{"rendered":"Zgradba filma"},"content":{"rendered":"<div class=\"pdfprnt-buttons pdfprnt-buttons-page pdfprnt-top-right\"><a href=\"https:\/\/vision-videoschool.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fpages%2F156&print=pdf\" class=\"pdfprnt-button pdfprnt-button-pdf\" target=\"_blank\" ><img decoding=\"async\" src=\"https:\/\/vision-videoschool.eu\/wp-content\/plugins\/pdf-print\/images\/pdf.png\" alt=\"image_pdf\" title=\"PDF anzeigen\" \/><\/a><\/div><h2 style=\"text-align: justify;\">O \u010dem\u00a0govori\u00a0to poglavje?<\/h2>\n<p style=\"text-align: justify;\">V tem poglavju bomo pojasnili, kako lahko zmontira\u0161 razli\u010dne kadre v prizore in prizore v film, da dobi\u0161 razumljiv in gledljiv film.<\/p>\n<table style=\"border-color: #ffffff;\">\n<tbody>\n<tr style=\"height: 33px;\">\n<td style=\"border-color: #ffffff; text-align: left; vertical-align: top;\">\u00a0<img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-3206\" src=\"https:\/\/vision.wettintv.de\/wp-content\/uploads\/2015\/03\/corner_lt.png\" alt=\"corner_lt\" width=\"30\" height=\"33\" \/><\/td>\n<td style=\"border-color: #ffffff;\">\n<h2>\u00a0<span style=\"color: #e3890b;\">Vision <em>v akciji &#8211; kratek opomnik za delo na terenu<\/em><\/span><\/h2>\n<\/td>\n<td style=\"border-color: #ffffff;\">\u00a0<img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-3208\" src=\"https:\/\/vision.wettintv.de\/wp-content\/uploads\/2015\/03\/corner_rt.png\" alt=\"corner_rt\" width=\"30\" height=\"33\" \/><\/td>\n<\/tr>\n<tr style=\"border-color: #ffffff;\">\n<td style=\"border-color: #ffffff;\"><\/td>\n<td style=\"border-color: #ffffff;\">\n<ol>\n<li>Pri snemanju uporabljaj razli\u010dne filmske plane in upo\u0161tevaj pravilo smeri pogleda igralcev ali posnetih ljudi, da definira\u0161 filmski prostor. Upo\u0161tevaj to tudi pri snemanju dokumentarnih filmov.<\/li>\n<li>Gibanje znotraj enega prizora se mora ponavadi odvijati v isto smer. Upo\u0161tevaj tudi kontinuiteto pri ostalih dodatkih, kot so obleka, hrana, pija\u010da, pri\u010deska &#8230;<\/li>\n<li>Znotraj enega prizora upo\u0161tevaj pravilo osi akcije, ki naj bo 180\u00b0.<\/li>\n<li>Vsak prizor razdeli na kadre in za vsak kader dolo\u010di, kaj in kako je v njem prikazano. Pripravi snemalni na\u010drt (storyboard) in se ga na snemanju dr\u017ei<\/li>\n<\/ol>\n<\/td>\n<td style=\"border-color: #ffffff;\"><\/td>\n<\/tr>\n<tr style=\"height: 33px;\">\n<td style=\"border-color: #ffffff; width: 30px; height: 33px;\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-3205 alignleft\" src=\"https:\/\/vision.wettintv.de\/wp-content\/uploads\/2015\/03\/corner_lb.png\" alt=\"corner_lb\" width=\"30\" height=\"33\" \/><\/td>\n<td style=\"border-color: #ffffff;\"><\/td>\n<td style=\"border-color: #ffffff; width: 30px; height: 33px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-3207\" src=\"https:\/\/vision.wettintv.de\/wp-content\/uploads\/2015\/03\/corner_rb.png\" alt=\"corner_rb\" width=\"30\" height=\"33\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h2>Katero\u00a0opremo potrebuje\u0161?<\/h2>\n<p style=\"text-align: justify;\">Potrebuje\u0161 predvsem kamero. Stativ, dodatne lu\u010di in pa seveda ra\u010dunalnik s programom za videomonta\u017eo ti bodo omogo\u010dili, da pridobi\u0161 ve\u010d izku\u0161enj, vendar niso nujni.<\/p>\n<h2 style=\"text-align: justify;\">Podrobnej\u0161a razlaga<\/h2>\n<p style=\"text-align: justify;\">V procesu priprave filma mora\u0161 vsaj pribli\u017eno predvideti, kako naj bi izgledal kon\u010dni rezultat. Film ponavadi razdelimo na razli\u010dne prizore, te pa razdelimo v kadre. Prizor je zaporedje ve\u010d kadrov, ki so ponavadi posneti na eni lokaciji v kontinuiranem \u010dasu in povezani skupaj v logi\u010dno zaporedje. Prizore nato pove\u017eemo, da dobimo film.<\/p>\n<div id='gallery-1' class='gallery galleryid-156 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/vision-videoschool.eu\/?attachment_id=3492'><img loading=\"lazy\" decoding=\"async\" width=\"644\" height=\"322\" src=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/04oncepts-of-editing_kadri-v-prizor-slo-644x322.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/04oncepts-of-editing_kadri-v-prizor-slo-644x322.jpg 644w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/04oncepts-of-editing_kadri-v-prizor-slo-300x150.jpg 300w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/04oncepts-of-editing_kadri-v-prizor-slo.jpg 945w\" sizes=\"auto, (max-width: 644px) 100vw, 644px\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p style=\"text-align: center;\"><em>Zgradba prizora<br \/>\n<\/em><\/p>\n<div id='gallery-2' class='gallery galleryid-156 gallery-columns-1 gallery-size-full'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/vision-videoschool.eu\/?attachment_id=3493'><img loading=\"lazy\" decoding=\"async\" width=\"2362\" height=\"709\" src=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/04oncepts-of-editing_prizor-v-film-slo.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/04oncepts-of-editing_prizor-v-film-slo.jpg 2362w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/04oncepts-of-editing_prizor-v-film-slo-300x90.jpg 300w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/04oncepts-of-editing_prizor-v-film-slo-644x193.jpg 644w\" sizes=\"auto, (max-width: 2362px) 100vw, 2362px\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p style=\"text-align: center;\"><em>Zgradba filma<\/em><\/p>\n<p style=\"text-align: justify;\">Kadre znotraj enega prizora ponavadi posnamemo v razli\u010dnih filmskih planih in rakurzih. Ti nam omogo\u010dajo, da prika\u017eemo zgodbo bolj podrobno, z razli\u010dnih zornih kotov, ali da skraj\u0161amo oz. podalj\u0161amo \u010das dogajanja. Kadre lahko nato kombiniramo skupaj s pravilnimi prehodi oz. rezi, ki morajo biti neopazni za gledalca, da se lahko v\u017eivi v zgodbo.<\/p>\n<blockquote><p>Razli\u010dni programi za monta\u017eo ponujajo razli\u010dne vrste prehodov (razni prelivi, potiskanje slike&#8230;), vendar so v igranih in tudi dokumentarnih filmih rezi ve\u010dinoma \u010disti. Skozi leta razvoja so filmski ustvarjalci razvili razli\u010dne na\u010dine povezovanja slik v monta\u017ei na na\u010din, da so na\u0161emu umu prehodi neopazni.<\/p><\/blockquote>\n<p style=\"text-align: justify;\">V nadaljevanju bo opisanih nekaj smernic za na\u010drtovanje kadrov in prizorov v filmu z namenom ustvarjanja \u010distih rezov v monta\u017ei.<\/p>\n<h3 style=\"text-align: justify;\"><b>Kako lahko montira\u0161 razli\u010dne kadre med seboj?<\/b><em><br \/>\n<\/em><\/h3>\n<h4 style=\"text-align: justify;\">Pravilna kombinacija razli\u010dnih filmskih planov<\/h4>\n<p style=\"text-align: justify;\">Eno osnovnih pravil glede kombinacije filmskih planov, ki naj bi ga razumeli, je, da zaporedno montiramo filmske plane, ki se med seboj razlikujejo, vendar ta razlika ne sme biti ne premajhna ne prevelika. Razlika med filmskimi plani mora biti vsaj dve stopnji, tako da gledalcu z vsakim naslednjim planom podamo novo informacijo. Razlika torej ne sme biti prevelika, razen \u010de \u017eelimo gledalca \u0161okirati. Ve\u010d o filmskih planih si lahko prebere\u0161 v poglavju K<a title=\"Kamera \u2013 osnove\" href=\"https:\/\/vision.wettintv.de\/?page_id=269\" target=\"_blank\" rel=\"noopener\">amera &#8211; osnove<\/a>.<\/p>\n<div id='gallery-3' class='gallery galleryid-156 gallery-columns-2 gallery-size-medium'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/vision-videoschool.eu\/?attachment_id=1646'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"165\" src=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_total-300x165.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_total-300x165.jpg 300w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_total-644x353.jpg 644w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_total.jpg 1050w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/vision-videoschool.eu\/?attachment_id=1645'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"165\" src=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_middle-300x165.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_middle-300x165.jpg 300w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_middle-644x353.jpg 644w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_middle.jpg 1050w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p style=\"text-align: center;\"><em>Total + srednji plan <strong>=<\/strong> <strong>OK!<\/strong><\/em><\/p>\n<div id='gallery-4' class='gallery galleryid-156 gallery-columns-2 gallery-size-medium'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/vision-videoschool.eu\/?attachment_id=1646'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"165\" src=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_total-300x165.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_total-300x165.jpg 300w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_total-644x353.jpg 644w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_total.jpg 1050w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/vision-videoschool.eu\/?attachment_id=1647'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"165\" src=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_american-300x165.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_american-300x165.jpg 300w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_american-644x353.jpg 644w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_american.jpg 1050w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p style=\"text-align: center;\"><em>Total + amerikan\u00a0<strong>\u2260 OK!<\/strong>\u00a0 (Razlika je premajhna in ne podaja nove informacije.)<\/em><\/p>\n<div id='gallery-5' class='gallery galleryid-156 gallery-columns-2 gallery-size-medium'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/vision-videoschool.eu\/?attachment_id=1646'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"165\" src=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_total-300x165.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_total-300x165.jpg 300w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_total-644x353.jpg 644w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_total.jpg 1050w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/vision-videoschool.eu\/?attachment_id=1648'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"165\" src=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_portrait-300x165.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_portrait-300x165.jpg 300w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_portrait-644x353.jpg 644w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_portrait.jpg 1050w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p style=\"text-align: center;\"><em>Total + portret\u00a0<strong>\u2260 OK!<\/strong> (Razlika\u00a0 med plani je prevelika in je zelo opazna ter gledalca \u0161okira.)<\/em><\/p>\n<h4 style=\"text-align: justify;\">Ustvarjanje filmskega prostora<\/h4>\n<p style=\"text-align: justify;\">V monta\u017ei (in z na\u010dinom snemanja) lahko ustvari\u0161 filmski prostor, ki ni nujno resni\u010den, torej v resni\u010dnem svetu ne obstaja. \u010ce v filmu vidimo npr. hi\u0161o, obstaja velika mo\u017enost, da so notranji prizori posneti v drugi hi\u0161i ali celo v filmskem studiu. Toda gledalec razume, da se vse dogaja v hi\u0161i, ki jo je videl v prvem kadru. Na ta na\u010din lahko skupaj montiramo kadre posnete na razli\u010dnih koncih mesta ali celo v razli\u010dnih dr\u017eavah. Na primer film se dogaja na Divjem zahodu v Ameriki, v resnici pa je bil posnet v \u0160paniji. Ali pa ustvarimo prostor, ki sploh ne obstaja, je le v na\u0161i domi\u0161ljiji, kot na primer vesolje ali drug planet. S tem ko uporablja\u0161 razli\u010dne filmske plane, lahko dogajanje prika\u017ee\u0161 z razli\u010dnih zornih kotov in s toliko detajli, kot \u017eeli\u0161.<\/p>\n<h4 style=\"text-align: justify;\">Smer pogleda<\/h4>\n<p style=\"text-align: justify;\">Eden izmed zelo uporabnih na\u010dinov za ustvarjanje filmskega prostora je smer pogleda. Ko vidimo kader, v katerem oseba gleda v dolo\u010deno smer, bomo naslednji kader razumeli kot smer pogleda te osebe (to, kar oseba vidi), \u010deprav ni nujno posnet na isti lokaciji ali isti \u010das.<\/p>\n<p style=\"text-align: justify;\">\u010ce na primer oseba v prvem kadru gleda v eno smer, v naslednjem pa prika\u017eemo objekt, ki je bil posnet nekje drugje, bo gledalec mislil, da se oba nahajata v istem prostoru.<\/p>\n<div id='gallery-6' class='gallery galleryid-156 gallery-columns-2 gallery-size-medium'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/vision-videoschool.eu\/?attachment_id=1651'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"211\" src=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_direction_of_view-300x211.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_direction_of_view-300x211.jpg 300w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_direction_of_view-644x452.jpg 644w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_direction_of_view.jpg 772w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/vision-videoschool.eu\/?attachment_id=1652'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"211\" src=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_direction_of_view2-300x211.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_direction_of_view2-300x211.jpg 300w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_direction_of_view2.jpg 626w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<div id='gallery-7' class='gallery galleryid-156 gallery-columns-2 gallery-size-medium'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/vision-videoschool.eu\/?attachment_id=1651'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"211\" src=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_direction_of_view-300x211.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_direction_of_view-300x211.jpg 300w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_direction_of_view-644x452.jpg 644w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_direction_of_view.jpg 772w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/vision-videoschool.eu\/?attachment_id=1653'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"211\" src=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_direction_of_view3-300x211.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_direction_of_view3-300x211.jpg 300w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_direction_of_view3-644x452.jpg 644w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_direction_of_view3.jpg 797w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p style=\"text-align: center;\"><em>Primeri kombinacije smeri pogleda<\/em><\/p>\n<p style=\"text-align: justify;\">To pravilo se lahko uporabi tudi pri razkadriranju prizora na ve\u010d kadrov z namenom, da jo naredimo bolj gledljivo in napeto. Pogosto se uporablja pri snemanju dialogov med dvema (ali ve\u010d) osebama. Namesto da cel \u010das vidimo obe osebi v totalu ali srednjem planu, lahko posnemamo ve\u010d dodatnih kadrov, kjer nekaj \u010dasa vidimo eno osebo, nato drugo, filmski plan pa je zato pri prikazu vsake osebe posebej o\u017eji.<\/p>\n<div id='gallery-8' class='gallery galleryid-156 gallery-columns-3 gallery-size-medium'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/vision-videoschool.eu\/?attachment_id=1649'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"211\" src=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_dialogue-300x211.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_dialogue-300x211.jpg 300w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_dialogue-644x453.jpg 644w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_dialogue.jpg 853w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/vision-videoschool.eu\/?attachment_id=1650'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"210\" src=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_dialogue1-300x210.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_dialogue1-300x210.jpg 300w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_dialogue1-644x452.jpg 644w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_dialogue1.jpg 774w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/vision-videoschool.eu\/?attachment_id=1654'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"211\" src=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing2_dialogue-300x211.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing2_dialogue-300x211.jpg 300w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing2_dialogue-644x454.jpg 644w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing2_dialogue.jpg 890w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p style=\"text-align: center;\"><em>Primer dialoga z uporabo ve\u010d kadrov<\/em><\/p>\n<h4 style=\"text-align: justify;\">Ustvarjanje filmskega \u010dasa<\/h4>\n<p style=\"text-align: justify;\">V filmih ponavadi \u010das prika\u017eemo druga\u010de, kot pa se odvija v realnosti. V dveh urah lahko prika\u017eemo celo \u017eivljenje nekoga ali pa kratek dogodek raztegnemo na ve\u010d minut, tako da je trajanje v filmu dalj\u0161e, kot bi bilo v resnici.<\/p>\n<p style=\"text-align: justify;\">Stiskanje \u010dasa lahko ustvari\u0161 s tem, da prika\u017ee\u0161 le dogodke, ki so pomembni za razumevanje zgodbe, in presko\u010di\u0161 nepotrebne dogodke. Tu igra pomembno vlogo tudi dol\u017eina kadrov in prizorov. Ponavadi je dovolj, da dolo\u010den kader traja le toliko \u010dasa, da gledalec razume, kaj se dogaja, razen \u010de \u017eelimo namenoma prikazati razvle\u010denost \u010dasa.<\/p>\n<p style=\"text-align: justify;\">\u010cas lahko raz\u0161iri\u0161, \u010de prika\u017ee\u0161 isto dogajanje z razli\u010dnih zornih kotov ali zornih kotov ve\u010d oseb, pa tudi z dodajanjem dodatnih kadrov v monta\u017ei. Tako lahko dogodek, ki se je zgodil le v nekaj sekundah, v filmu traja tudi minuto ali ve\u010d. Ta na\u010din se velikokrat uporablja pri \u0161portnih prenosih. Ko na primer nogometna ekipa zadene gol, je ta ve\u010dkrat prikazan z razli\u010dnih zornih kotov, vmes pa so dodani \u0161e kadri odzivov gledalcev in soigralcev. Pogosto je uporabljena tudi upo\u010dasnitev slike klju\u010dnega trenutka.<\/p>\n<h5 style=\"text-align: justify;\">Kronolo\u0161ko zaporedje, flashback in flashforward<\/h5>\n<p style=\"text-align: justify;\">Dogodki v filmu ne rabijo biti nujno prikazani v kronolo\u0161kem zaporedju. To pomeni, da lahko film pri\u010dne\u0161 s prikazom konca zgodbe in se potem vrne\u0161 na za\u010detek ali pa med sabo me\u0161a\u0161 razli\u010dna \u010dasovna obdobja. Eden izmed pogostih na\u010dinov vrnitve v preteklost je uporaba flashbacka. Z njegovo pomo\u010djo se glavna oseba prestavi nazaj v preteklost, v dogodke, ki so se \u017ee zgodili. Flashforward pa se uporabi za miselne projekcije v prihodnost. V obeh primerih je z dolo\u010denim prehodom med kadri (npr. preliv &#8230;) potrebno nakazati spremembo \u010dasovne perspektive. Zelo opazen prehod lahko uporabi\u0161 tudi, kadar \u017eeli\u0161 prikazati, da glavna oseba preide v sanje.<\/p>\n<h4 style=\"text-align: justify;\">Filmski \u010das in na\u010drt snemanja<\/h4>\n<p style=\"text-align: justify;\">Ker v filmu obstaja filmski in ne realni \u010das, to vpliva tudi na pripravo na\u0161ega na\u010drta snemanja. Zgodbe ne rabi\u0161 snemati kronolo\u0161ko, kakor se odvija v filmu, lahko posname\u0161 vse dogodke na eni lokaciji in nato na drugi, \u010deprav v filmu ne potekajo isto\u010dasno. Nekatere dogodke lahko posname\u0161 tudi kasneje, \u010dez ve\u010d mesecev, v monta\u017ei pa jih lahko umesti\u0161, kot da se odvijajo isto\u010dasno ali celo prej.<\/p>\n<h4 style=\"text-align: justify;\">Kontinuiteta gibanja, rekvizitov &#8230;<\/h4>\n<p style=\"text-align: justify;\">Prizor, kot smo \u017ee pojasnili, je navadno sestavljen iz ve\u010d kadrov posnetih z razli\u010dnih kotov in v razli\u010dnih filmskih planih. Da je gledalcu razumljiv, je pomembno, da se akcija v enem kadru zaporedno nadaljuje tudi v drugih in da smo pozorni tudi na detajle. To velja \u0161e posebej, \u010de ne snema\u0161 vseh kadrov na isti dan ali v kronolo\u0161kem zaporedju.<\/p>\n<p style=\"text-align: justify;\">\u010ce se oseba ali objekt v prvem kadru giblje iz leve proti desni, naj bi obdr\u017eala isto smer gibanja tudi v naslednjem kadru.<\/p>\n<div id='gallery-9' class='gallery galleryid-156 gallery-columns-2 gallery-size-medium'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/vision-videoschool.eu\/?attachment_id=1661'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"165\" src=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/04\/Basic_concepts_editing_direction_of_movement-300x165.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/04\/Basic_concepts_editing_direction_of_movement-300x165.jpg 300w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/04\/Basic_concepts_editing_direction_of_movement-644x353.jpg 644w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/04\/Basic_concepts_editing_direction_of_movement.jpg 1050w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/vision-videoschool.eu\/?attachment_id=1662'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"165\" src=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/04\/Basic_concepts_editing_direction_of_movement2-300x165.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/04\/Basic_concepts_editing_direction_of_movement2-300x165.jpg 300w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/04\/Basic_concepts_editing_direction_of_movement2-644x353.jpg 644w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/04\/Basic_concepts_editing_direction_of_movement2.jpg 1050w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p style=\"text-align: center;\"><em>Primer kontinuitete gibanja<\/em><\/p>\n<p style=\"text-align: justify;\">\u010ce oseba nosi v prvem kadru pla\u0161\u010d, ga mora nositi tudi v naslednjem (\u010de se dogaja v istem \u010dasu in na isti lokaciji), razen \u010de vidimo, da si ga je med tem slekla. \u010ce imamo v prvem kadru na mizi skodelico kave, mora biti tam tudi v naslednjem, ki sledi.<\/p>\n<div id='gallery-10' class='gallery galleryid-156 gallery-columns-2 gallery-size-medium'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/vision-videoschool.eu\/?attachment_id=1663'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"165\" src=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/04\/Basic_concepts_editing_props-300x165.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/04\/Basic_concepts_editing_props-300x165.jpg 300w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/04\/Basic_concepts_editing_props-644x353.jpg 644w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/04\/Basic_concepts_editing_props.jpg 1050w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/vision-videoschool.eu\/?attachment_id=1664'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"165\" src=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/04\/Basic_concepts_editing_props2-300x165.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/04\/Basic_concepts_editing_props2-300x165.jpg 300w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/04\/Basic_concepts_editing_props2-644x353.jpg 644w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/04\/Basic_concepts_editing_props2.jpg 1050w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p style=\"text-align: center;\"><em>Primer kontinuitete rekvizitov<\/em><\/p>\n<blockquote>\n<p style=\"text-align: justify;\">Napake v kontinuiteti se dogajajo tudi v ve\u010djih filmskih produkcijah in na internetu lahko najdemo strani, ki objavljajo tovrstne spodrsljaje.<\/p>\n<\/blockquote>\n<h4 style=\"text-align: justify;\">Os akcije<\/h4>\n<p style=\"text-align: justify;\">Filmski prostor lahko dolo\u010di\u0161 tudi tako, da celotno dogajanje znotraj ene sekvence na isti lokaciji in v istem \u010dasu posname\u0161 na osi akcije 180\u00b0. S tem pomaga\u0161 tudi gledalcu, da se la\u017eje orientira. Pravilo velja tudi pri snemanju dialogov, ki vsebujejo stranske kadre. Razlika med razli\u010dnimi polo\u017eaji kamer mora biti vsaj 35\u00b0.<\/p>\n<p style=\"text-align: justify;\">Primer 1: Nogometno tekmo snemamo z ene strani igri\u0161\u010da, tako ena ekipa vedno napada proti desni, druga pa proti levi. Gledalcem je ves \u010das razumljivo, v katero smer te\u010de igra.<\/p>\n<div id='gallery-11' class='gallery galleryid-156 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/vision-videoschool.eu\/?attachment_id=1697'><img loading=\"lazy\" decoding=\"async\" width=\"644\" height=\"362\" src=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_axis_of_action-644x362.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_axis_of_action-644x362.jpg 644w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_axis_of_action-300x169.jpg 300w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/Basic_concepts_editing_axis_of_action.jpg 1890w\" sizes=\"auto, (max-width: 644px) 100vw, 644px\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p style=\"text-align: center;\"><em>Os akcije<\/em><\/p>\n<p style=\"text-align: justify;\">Primer 2: Postavitev snemanja dialoga s stranskimi kadri.<\/p>\n<div id='gallery-12' class='gallery galleryid-156 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/vision-videoschool.eu\/?attachment_id=1658'><img loading=\"lazy\" decoding=\"async\" width=\"644\" height=\"362\" src=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/04\/Basic_concepts_editing_axis_of_action_dialogue-644x362.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/04\/Basic_concepts_editing_axis_of_action_dialogue-644x362.jpg 644w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/04\/Basic_concepts_editing_axis_of_action_dialogue-300x169.jpg 300w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/04\/Basic_concepts_editing_axis_of_action_dialogue.jpg 1890w\" sizes=\"auto, (max-width: 644px) 100vw, 644px\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p style=\"text-align: center;\"><em>Os akcije pri snemanju dialoga<\/em><\/p>\n<h4 style=\"text-align: justify;\">Rez na akcijo<\/h4>\n<p style=\"text-align: justify;\">Kadar zaporedno montira\u0161 dva kadra, v katerih ima\u0161 kontinuirano akcijo, je najbolje, da naredi\u0161 rez med obema kadroma sredi giba \/ akcije. \u010ce v prvem kadru vidimo, kako oseba vzame mobilni telefon iz \u017eepa (total), ga lahko v naslednjem kadru prisloni k u\u0161esu in pri\u010dne s pogovorom (srednji plan). Kadre zdru\u017eimo med potekom giba, npr. ko je roka nekje na sredi. Pazimo, da se drugi kader nadaljuje to\u010dno na mestu, kjer se prvi kon\u010da. Z uporabo te tehnike so rezi na\u0161emu umu skoraj nevidni. Gledalci bodo menjavo do\u017eiveli kot zelo mehko oz. je sploh ne bodo opazili.<\/p>\n<div id='gallery-13' class='gallery galleryid-156 gallery-columns-2 gallery-size-medium'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/vision-videoschool.eu\/?attachment_id=1659'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"165\" src=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/04\/Basic_concepts_editing_cut_on_action-300x165.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/04\/Basic_concepts_editing_cut_on_action-300x165.jpg 300w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/04\/Basic_concepts_editing_cut_on_action-644x353.jpg 644w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/04\/Basic_concepts_editing_cut_on_action.jpg 1050w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/vision-videoschool.eu\/?attachment_id=1660'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"165\" src=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/04\/Basic_concepts_editing_cut_on_action2-300x165.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/04\/Basic_concepts_editing_cut_on_action2-300x165.jpg 300w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/04\/Basic_concepts_editing_cut_on_action2-644x353.jpg 644w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/04\/Basic_concepts_editing_cut_on_action2.jpg 1050w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p style=\"text-align: center;\"><em>Rez na akcijo<\/em><\/p>\n<h4 style=\"text-align: justify;\"><span style=\"color: #333333;\">Pojasni vse zvoke<br \/>\n<\/span><\/h4>\n<p style=\"text-align: justify;\">Gledalec je lahko zmeden, \u010de v filmu sli\u0161i dolo\u010den zvok, ne more pa ugotoviti, od kod prihaja (npr. sli\u0161imo pasji laje\u017e, vendar ne vidimo psa). Da se zmedi izognemo, moramo v kadru ali v kadru, ki sledi, vedno prikazati tudi vir zvoka.<\/p>\n<div class=\"epyt-video-wrapper\"><iframe loading=\"lazy\"  style=\"display: block; margin: 0px auto;\"  id=\"_ytid_69575\"  width=\"720\" height=\"405\"  data-origwidth=\"720\" data-origheight=\"405\" src=\"https:\/\/www.youtube.com\/embed\/2rtoSqQMo8k?enablejsapi=1&#038;origin=https:\/\/vision-videoschool.eu&#038;autoplay=0&#038;cc_load_policy=0&#038;cc_lang_pref=&#038;iv_load_policy=1&#038;loop=0&#038;rel=0&#038;fs=1&#038;playsinline=0&#038;autohide=2&#038;hl=de_DE&#038;theme=dark&#038;color=red&#038;controls=1&#038;disablekb=0&#038;\" class=\"__youtube_prefs__  epyt-is-override  no-lazyload\" title=\"YouTube player\"  allow=\"fullscreen; accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><\/div>\n<p style=\"text-align: center;\"><em>Video: Kombinacija razli\u010dnih filmskih planov, uporaba smeri pogleda in kontinuitete gibanja (LIJAmedia)<\/em><\/p>\n<h3 style=\"text-align: justify;\"><b>Kako montiramo razli\u010dne prizore med seboj?<br \/>\n<\/b><\/h3>\n<div id='gallery-14' class='gallery galleryid-156 gallery-columns-1 gallery-size-full'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/vision-videoschool.eu\/?attachment_id=3493'><img loading=\"lazy\" decoding=\"async\" width=\"2362\" height=\"709\" src=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/04oncepts-of-editing_prizor-v-film-slo.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/04oncepts-of-editing_prizor-v-film-slo.jpg 2362w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/04oncepts-of-editing_prizor-v-film-slo-300x90.jpg 300w, https:\/\/vision-videoschool.eu\/wp-content\/uploads\/2015\/02\/04oncepts-of-editing_prizor-v-film-slo-644x193.jpg 644w\" sizes=\"auto, (max-width: 2362px) 100vw, 2362px\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p style=\"text-align: center;\"><em>\u00a0<\/em><\/p>\n<p style=\"text-align: justify;\">Da bo film skladen, se mora\u0161 \u017ee vnaprej odlo\u010diti, v kak\u0161nem stilu bo posnet, in sicer kak\u0161na bo osvetlitev, barve, stil snemanja, na\u010din monta\u017ee &#8230;, torej kak\u0161en &#8218;film look&#8216; \u017eeli\u0161.<\/p>\n<h2 style=\"text-align: justify;\"><b>Pogoste napake<\/b><\/h2>\n<ol style=\"text-align: justify;\">\n<li>Kadri so predolgi \u2013 gledalci se pri\u010dnejo dolgo\u010dasiti, oz. prekratki\u00a0\u2013 gledalci ne morejo ujeti njihovega pomena.<\/li>\n<li>Filmski prostor ni skladen, prostor v naslednjem kadru ne izgleda enako oz. manjkajo stvari, ki so prej bile vidne, ne da je to pojasnjeno.<\/li>\n<li>Objekti ali osebe se v dveh ali ve\u010d povezanih kadrih ne gibljejo v isto smer, kar zmede gledalca. Filmski prostor je poru\u0161en in gledalec ne ve, ali se vra\u010dajo ali nadaljujejo pot.<\/li>\n<li>Snemamo na drugi strani osi akcije, kar ni vedno napaka. S tem lahko npr. na\u010drtno zmedemo gledalca ali prika\u017eemo drugo ozadje.<\/li>\n<li>Prizori med seboj niso dobro povezani. Gledalec npr. ne razume (nima informacije), kako se je zna\u0161el na novi lokaciji.<\/li>\n<li>Ne uporabljamo dovolj razli\u010dnih filmskih planov, da bi pojasnili dogajanje oz. obdr\u017eali zanimanje gledalcev. Ali pa nasprotno, uporabljamo preve\u010d kadrov in razli\u010dnih filmskih planov, ki pa nam ne prina\u0161ajo novih informacij.<\/li>\n<\/ol>\n<h2 style=\"text-align: justify;\"><b>Vaje<\/b><\/h2>\n<ol style=\"text-align: justify;\">\n<li>Kombiniranje razli\u010dnih filmskih planov: posnemi kratek video osebe, ki nekaj po\u010dne, npr. sedi za mizo in pije kavo. Posnemi vsaj pet kadrov v tri do pet razli\u010dnih filmskih planih. Upo\u0161tevaj nasvete za pravilno kombiniranje razli\u010dnih filmskih planov.<\/li>\n<li>Smer pogleda: posnemi kratek video, v katerem zapovrstjo kombinira\u0161 obraze razli\u010dnih ljudi in posnetke razli\u010dnih predmetov oz. objektov (lu\u010d, ura, knjiga, stavba &#8230;). Posnemi jih na razli\u010dnih lokacijah in preu\u010di, kateri gredo skupaj in kateri ne in zakaj ja oz. ne. \u010ce ima\u0161 mo\u017enost, posku\u0161aj v monta\u017ei zraven dodati \u0161e kak\u0161no glasbo.<\/li>\n<li>Filmski prostor in filmski \u010das: ko gleda\u0161 film, opazuj, kako so zgradili filmski prostor in filmski \u010das. Kako so med sabo povezani razli\u010dni kadri in kako razli\u010dni prizori. Pomaga lahko, \u010de ugasne\u0161 zvok in opazuje\u0161 le sliko.<\/li>\n<li>Filmski \u010das: posnemi dva kratka videa, v katerih prika\u017ee\u0161 osebo, ki gre iz enega prostora v drugega, npr. iz hi\u0161e v trgovino. V prvem posku\u0161aj to prikazati v 15 sekundah, za drugega pa ima\u0161 na voljo 2 minuti. Oba videa se morata odvijati na isti lokaciji. Izmeri tudi, koliko \u010dasa bi ta oseba dejansko porabila za to (realni \u010das).<\/li>\n<li>Smer pogleda: naredi dober primer prizora z dialogom, kakor je razlo\u017eeno zgoraj, uporabi sprednje in stranske posnetke.<\/li>\n<\/ol>\n<h2 style=\"text-align: justify;\">Sorodne\u00a0teme\u00a0in\u00a0zunanji viri<\/h2>\n<p style=\"text-align: justify;\">Poglavje: <a title=\"Kamera \u2013 osnove\" href=\"https:\/\/vision.wettintv.de\/?page_id=269\" target=\"_blank\" rel=\"noopener\">Kamera\u00a0\u2013 osnove<\/a>\u00a0\/ <a href=\"https:\/\/vision.wettintv.de\/?page_id=1935\" target=\"_blank\" rel=\"noopener\">Monta\u017ea<\/a><\/p>\n<h2 style=\"text-align: justify;\"><b>Metodologija<\/b><\/h2>\n<p style=\"text-align: justify;\">V tem poglavju smo navedli nekaj smernic, ki bi bile lahko razlo\u017eene \u0161e natan\u010dneje, a bo verjetno potrebno kar nekaj \u010dasa in izku\u0161enj, da osvoji\u0161 osnove. Pravi izziv namre\u010d predstavlja to, kako prenesti zgoraj opisano znanje v prakso, torej \u017ee v fazo pisanja scenarija in nato samega snemanja. Morda se bo dobro vrniti k preu\u010devanju tega poglavja s\u010dasoma, ko bo\u0161 imel ve\u010d izku\u0161enj, kar bo pripomoglo k bolj\u0161emu razumevanju nekaterih razlag. Odlo\u010diti se, kaj posneti in kako, je v\u010dasih zahteven proces, v katerem imamo na voljo veliko mo\u017enosti izbire. Seveda moramo eksperimentirati tudi s kr\u0161enjem pravil. Ko izdela\u0161 na\u010drt snemanja, se lahko vrne\u0161 na to poglavje in dodela\u0161, kar se ti zdi potrebno.<\/p>\n<p style=\"text-align: justify;\">\u010ce preu\u010duje\u0161 to poglavje sam ali vodi\u0161 skupino udele\u017eencev skozi proces, bo v veliko pomo\u010d, \u010de napi\u0161ete kratek scenarij in pove\u017eete vaje z le-tem. Motivacija za delo bo ve\u010dja in na koncu lahko posnetke zmontirate in izdelate kratek film\u010dek.<\/p>\n<h2 style=\"text-align: justify;\"><b>Terminologija<\/b><\/h2>\n<p style=\"text-align: justify;\"><em>kader, prizor, prehod, rez, filmski prostor, smer pogleda, filmski \u010das, flashback, flashforward, kontinuiteta gibanja, os akcije, rez na akcijo<br \/>\n<\/em><\/p>\n<div id=\"__if72ru4sdfsdfrkjahiuyi_once\" style=\"display: none;\"><\/div>\n<div id=\"__hggasdgjhsagd_once\" style=\"display: none;\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>O \u010dem\u00a0govori\u00a0to poglavje? V tem poglavju bomo pojasnili, kako lahko zmontira\u0161 razli\u010dne kadre v prizore in prizore v film, da dobi\u0161 razumljiv in gledljiv film. \u00a0 \u00a0Vision v akciji &#8211; kratek opomnik za delo na terenu \u00a0 Pri snemanju uporabljaj razli\u010dne filmske plane in upo\u0161tevaj pravilo smeri pogleda igralcev ali posnetih ljudi, da definira\u0161 filmski&#8230;<\/p>\n","protected":false},"author":2,"featured_media":1929,"parent":0,"menu_order":3250,"comment_status":"closed","ping_status":"closed","template":"page_fullwidth.php","meta":{"footnotes":""},"language":[5],"class_list":["post-156","page","type-page","status-publish","has-post-thumbnail","hentry","language-sl_si"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Zgradba filma - V I S I O N and A N I M A V I S I O N - Video School Online<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/vision-videoschool.eu\/?page_id=156\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Zgradba filma - V I S I O N and A N I M A V I S I O N - Video School Online\" \/>\n<meta property=\"og:description\" content=\"O \u010dem\u00a0govori\u00a0to poglavje? 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