{"id":271,"date":"2015-05-10T21:45:30","date_gmt":"2015-05-10T20:45:30","guid":{"rendered":"http:\/\/vision.wettintv.de\/?page_id=271"},"modified":"2022-04-11T12:12:48","modified_gmt":"2022-04-11T11:12:48","slug":"in-progress-basit-kamera-kullanimi","status":"publish","type":"page","link":"https:\/\/vision-videoschool.eu\/?page_id=271","title":{"rendered":"Basit kamera kullan\u0131m\u0131"},"content":{"rendered":"
\"image_pdf\"<\/a><\/div>

Giri\u015f<\/strong><\/h3>\n

Film yapmada en \u00f6nemli ara\u00e7 kamerad\u0131r. Kameray\u0131 tam olarak \u00f6\u011frenmek senin yarat\u0131c\u0131l\u0131\u011f\u0131n\u0131 kullanman\u0131 ve kendini ifade etmeni sa\u011flayacakt\u0131r.<\/p>\n

Bu b\u00f6l\u00fcmde farkl\u0131 t\u00fcrden kameralar\u0131 g\u00f6receksiniz. Ayr\u0131ca kamera a\u00e7\u0131s\u0131, hareketlerini \u00f6\u011freneceksiniz.<\/p>\n

E\u011fer kamera hakk\u0131nda bilginiz varsa ve daha ileri bilgi almak isterseniz, do\u011frudan bu b\u00f6l\u00fcm\u00fc de inceleyebilirsiniz.\u00a0\u0130leri Seviye kamera kullan\u0131m\u0131.<\/a><\/p>\n\n\n\n\n\n
\u00a0\"corner_lt\"<\/td>\n\n

Vision in action<\/em><\/span><\/h2>\n<\/td>\n

\u00a0\"corner_rt\"<\/td>\n<\/tr>\n
<\/td>\n\n
    \n
  1. \u0130htiyac\u0131n\u0131z olan kameraya karar verin. Baz\u0131 kameralar sizin yapmak istedi\u011finiz \u00e7al\u0131\u015fmaya daha uygun olabilir.<\/li>\n
  2. Yapmak istedi\u011fin \u00e7al\u0131\u015fmay\u0131 g\u00f6stermek i\u00e7in uygun ve \u00e7e\u015fitli kareler kullanabilirsin.<\/li>\n
  3. Gerekli ise kamera a\u00e7\u0131s\u0131n\u0131 ayarlay\u0131n. A\u015fa\u011f\u0131dan yukar\u0131dan baz\u0131 nesneleri veya insanlar\u0131 \u00e7ekin, kameray\u0131\u00a0\u00e7ok yukar\u0131ya koymaymaktan veya a\u015fa\u011f\u0131da tutmaktan \u00e7ekinmeyin.<\/li>\n
  4. Videonuzu \u00e7ok daha dinamik yapmak i\u00e7in farkl\u0131 \u015fekillerde kamera \u00e7ekimleri yap\u0131n.\u00a0(yak\u0131nla\u015ft\u0131ma, uzakla\u015ft\u0131rma, takip vs)<\/li>\n<\/ol>\n<\/td>\n
<\/td>\n<\/tr>\n
\"corner_lb\"<\/td>\n<\/td>\n\"corner_rb\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Ara\u00e7lar<\/strong><\/p>\n

Bir kamera ve bir \u00fc\u00e7ayak ihtiyac\u0131n\u0131z olan temel ara\u00e7lard\u0131r. Bunun d\u0131\u015f\u0131ndaki farkl\u0131 t\u00fcrden kameralar size yard\u0131mc\u0131 olacakt\u0131r ancak \u00e7ok gerekli de\u011fildir.<\/p>\n

Ana b\u00f6l\u00fcm<\/strong><\/p>\n

Farkl\u0131 kamera t\u00fcrleri<\/strong><\/p>\n

Kamera kayd\u0131n\u0131 farkl\u0131 t\u00fcrden ara\u00e7lar\u0131 kullanarak yapabilirsin. Hangi t\u00fcrden kameralar\u0131 kullanaca\u011f\u0131n senin bilgi ve tecr\u00fcbene ve \u00e7ekim yapmak istedi\u011fin konuya ba\u011fl\u0131 olarak de\u011fi\u015fir.<\/p>\n

\u0130leri teknoloji \u00fcr\u00fcnler senin daha yarat\u0131c\u0131 olman\u0131 ve farkl\u0131 deneyimler ya\u015faman\u0131 sa\u011flayacakt\u0131r. Senin iyi kalite g\u00f6r\u00fcnt\u00fcler \u00e7ekmeni sa\u011flayacak olan ve g\u00f6rsellik anlam\u0131nda \u00e7ekimini zenginle\u015ftirecek olan bu \u00fcr\u00fcnlerdir.<\/p>\n

E\u011fer bir kameran yoksa, yine de hemen vazge\u00e7memelisin. Bir cep telefonu, bir foto\u011fraf makinesi ve \u00e7ekim yapan herhangi bir alet. Art\u0131k g\u00fcn\u00fcm\u00fczde her t\u00fcrl\u00fc kay\u0131t \u015feklini kabul eden bir\u00e7ok festivaller ve yap\u0131mc\u0131lar mevcuttur.<\/p>\n\n\n\n\n\n\n\n\n\n
Kamera t\u00fcrleri<\/strong><\/b><\/td>\n<\/td>\nAvantajlar\u0131<\/strong><\/td>\nDezavantajlar<\/strong><\/td>\n<\/tr>\n
Basit video kameralar<\/td>\n\"kamera3pc\"<\/a><\/td>\nD\u00fc\u015f\u00fck maliyet; kullan\u0131\u015fl\u0131, basit resim efektleri, uygun \u0131\u015f\u0131k alt\u0131nda harika \u00e7ekim, (g\u00fcne\u015fli havalarda)<\/td>\nKullan\u0131m\u0131 zor; manuel kullan\u0131m\u0131 \u00e7ok az, d\u00fc\u015f\u00fck \u0131\u015f\u0131kta g\u00f6lgede ayd\u0131nlatmadak\u00f6t\u00fc g\u00f6r\u00fcnt\u00fc, hafif oldu\u011fu i\u00e7in titreme<\/td>\n<\/tr>\n
Profesyonel kameralar<\/td>\n\"Kamera1pc\"<\/a><\/td>\nkullan\u0131\u015fl\u0131 manuel kullan\u0131m; harika resim kalitesi TV ye uygun, ses ve \u0131\u015f\u0131k gibi ekstra aparat kullan\u0131m\u0131<\/td>\nPahal\u0131; baz\u0131lar\u0131 \u00e7ok a\u011f\u0131r, elde veya boyunda ta\u015f\u0131mak zor, kullan\u0131m i\u00e7in tecr\u00fcbe gerektiriyor<\/td>\n<\/tr>\n
Otomatik foto\u011fraf makineleri (dijital kamera<\/td>\n\"Kamera\"<\/a><\/td>\nD\u00fc\u015f\u00fck maliyet; iyi otomatik \u00f6zellikleri, resim efektleri, harika resim kalitesi (uygun \u0131\u015f\u0131k alt\u0131nda)<\/td>\nKullan\u0131m\u0131 zor, manuel kullan\u0131m yok, d\u00fc\u015f\u00fck \u0131\u015f\u0131kta ayd\u0131nlatmada veg\u00f6lgede k\u00f6t\u00fc g\u00f6r\u00fcnt\u00fc, k\u0131s\u0131tl\u0131 kay\u0131t imkan\u0131 ve \u00e7ok hafif olmas\u0131ndan dolay\u0131 titreme<\/td>\n<\/tr>\n
DSLR kameralar<\/td>\n\"kamera2pc\"<\/a><\/td>\nHarika resim kalitesi; manuel kullan\u0131m, video \u00e7ekimlerinde ekstra \u00f6zellikler, ISO ayarlar\u0131, ekstra lens kullan\u0131m\u0131, profesyonel kameralardan daha ucuz<\/td>\nSes ve \u0131\u015f\u0131k anlam\u0131nda yetersiz aparat kullan\u0131m\u0131, video film i\u00e7in uygun de\u011fil,pahal\u0131 aksesuar<\/td>\n<\/tr>\n
Su ge\u00e7irmez \u00f6zel kameralar
\n(e.g.\u00a0GoPro)<\/td>\n		\"kamera5pc\"<\/a><\/td>\nBeklenmedik durumlarda kullan\u0131m kolayl\u0131\u011f\u0131 (\u0131slak, nemli \u2026) kafaya montaj, farkl\u0131 zor b\u00f6lgelerde \u00e7ekim, belgesel ve k\u00fc\u00e7\u00fck nesne \u00e7ekimlerinde ideal, ta\u015f\u0131mas\u0131 kolay<\/td>\nManuel odaklama yok; manuel ayar az, d\u00fc\u015f\u00fck pil \u00f6mr\u00fc<\/td>\n<\/tr>\n
Ak\u0131ll\u0131 telefon ve tabletler<\/td>\n\"Tablett\"<\/a><\/td>\nFarkl\u0131 se\u00e7enekte kalite ve fiyat avantaj\u0131; kaliteli \u00e7\u00f6z\u00fcn\u00fcrl\u00fck , iyi otomatik \u00f6zellikleri, ta\u015f\u0131mas\u0131 kolay, birden fazla bir\u00e7ok \u00f6zellik, bir\u00e7ok kullan\u0131\u015fl\u0131 uygulama imkan\u0131, yay\u0131n imkan\u0131, farkl\u0131 aksesuar kullan\u0131m\u0131<\/td>\nManuel kullan\u0131m\u0131 zor; hafif oldu\u011fu i\u00e7in titreme, ekstra aparat yok, video filme \u00e7ok uygun de\u011fil.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Yar\u0131 Profesyonel video kameran\u0131n \u00f6zellikleri<\/strong><\/h3>\n

\"camera<\/a><\/p>\n

 <\/p>\n

1. Zoom d\u00fc\u011fmesi, 2. Foto\u011fraf d\u00fc\u011fmesi, 3. Kamera – kay\u0131t, kamera haf\u0131za, oynatma d\u00fc\u011fmesi \u0131\u015f\u0131klar, 4. G\u00fc\u00e7 d\u00fc\u011fmesi, 5. Haf\u0131za d\u00fc\u011fmesi, 6. Kay\u0131t \u0131\u015f\u0131\u011f\u0131, 7.Etkin aray\u00fcz, 8. Aksesuar ba\u011flant\u0131s\u0131, 9.Ba\u011flant\u0131 d\u00fc\u011fmesi, 10. Gece \u00e7ekim modu, 11. Mikrofon giri\u015fi, 12. Kulakl\u0131k giri\u015fi.<\/em><\/p>\n

\"camera<\/a><\/p>\n

 <\/p>\n

1. Harici mikrofon, 2. XLR adapt\u00f6r\u00fc, 3. Lens kapa\u011f\u0131, 4. Lens koruyucu kapak, 5. Zoom d\u00fc\u011fmesi, 6. REC START\/STOP d\u00fc\u011fmesi, 7. LCD ekran, 8. I-link giri\u015fi, 9. USB giri\u015fi, 10. G\u00f6r\u00fcnt\u00fc d\u00fc\u011fmesi, 11. Ba\u011flant\u0131 \u00e7\u0131k\u0131\u015f giri\u015fi, 12. A\/V \u00e7\u0131k\u0131\u015f\u0131, 13. INPUT1 LOW CUT d\u00fc\u011fmesi, 14. INPUT2 LOW CUT d\u00fc\u011fmesi, 15. SIFIRLAMA d\u00fc\u011fmesi, 16. G\u00f6zkapa\u011f\u0131, 17. Viz\u00f6r, 18. Viz\u00f6r merce\u011fi, 19. LANC giri\u015fi, 20 CHG \u015farj lambas\u0131, 21, Hoparl\u00f6r, 22. Otomatik kilit d\u00fc\u011fmesi, 23. Batarya, 24. DC IN giri\u015fi.<\/em><\/p>\n

Film kareleri, kamera a\u00e7\u0131s\u0131 ve hareketleri<\/strong><\/h3>\n

Gerekli ekipmanlar\u0131 \u00f6\u011frendikten sonra s\u0131ra \u00e7ekim yapmakta, film sekt\u00f6r\u00fcndeki basit terimleri bilmeniz gerekli \u2013 foto\u011fraf kareleri, kamera pozisyonu ve hareketleri.<\/p>\n

Film yap\u0131m\u0131n\u0131n ilk zamanlar\u0131nda, genelde tek bir kareden film yay\u0131nlan\u0131rd\u0131, bir kamera a\u00e7\u0131s\u0131 ve kamera hareketleri yoktu. Genelde filmler k\u0131sa ve g\u00fcnl\u00fck ya\u015fam ile ilgiliydi. ( \u00f6rne\u011fin Workers Leaving the Lumiere Factory 1895,\u00a0<\/em>46 seconds, and\u00a0The Arrival of the Mail Train\u00a01895<\/em>, 50 seconds\u00a0\u2013\u00a0<\/em>both by the Lumi\u00e8re\u00a0brothers.) Y\u0131llar ge\u00e7tik\u00e7e daha yarat\u0131c\u0131 ve geli\u015fmi\u015f filmler yap\u0131lmaya ba\u015flad\u0131, izleyiciyi etkileyen karma\u015f\u0131k filmler yap\u0131ld\u0131.<\/p>\n

Film karesi<\/strong><\/p>\n

Farkl\u0131 t\u00fcrden film kareleri ile karma\u015f\u0131k hikayeleri bile basit y\u00f6ntemlerle anlatmaya yarar film kareleri. As\u0131l hedef yap\u0131lan \u00e7al\u0131\u015fman\u0131n izleyicinin dikkatini \u00e7ekmesi ve olay\u0131 en anla\u015f\u0131l\u0131r \u015fekilde izleyiciye aktarmakt\u0131r.<\/p>\n

Film kareleri farkl\u0131 ilgi \u00e7ekici y\u00f6ntemlerle haz\u0131rlanabilir. Bir arkada\u015f\u0131n\u0131z\u0131n do\u011fum g\u00fcn\u00fc partisini kaydedebilir, konser \u00e7ekimi yapabilir, m\u00fczik klipi yapabilir, belgesel \u00e7ekebilirsiniz, ne kadar \u00e7ok farkl\u0131 \u00e7ekim tekni\u011fi kullan\u0131rsan\u0131z \u00e7al\u0131\u015fman\u0131z o kadar g\u00fczel olur.<\/p>\n

Ayr\u0131ca \u00e7ok az farkl\u0131 film karesi \u00e7ekimini de kullanabilirsiniz, s\u0131k\u0131nt\u0131, bunal\u0131m gibi konular\u0131 vurgulamak i\u00e7in. <\/em><\/p><\/blockquote>\n

Bir\u00e7o\u011fumuz i\u00e7g\u00fcd\u00fcsel olarak istedi\u011fimiz film karelerini kullanabiliriz, fakat profesyoneller taraf\u0131ndan hangi \u00e7ekimlerin yap\u0131ld\u0131\u011f\u0131n\u0131 bilmek bize yard\u0131mc\u0131 olacakt\u0131r. Ayr\u0131ca do\u011fru terminolojiyi de kullanmak filmimizin haz\u0131rl\u0131k ve sonras\u0131nda yap\u0131lan \u00e7al\u0131\u015fman\u0131n do\u011fru analizi i\u00e7in bizlere gereklidir.<\/p>\n

Film karesinin ba\u015flang\u0131c\u0131 insan fig\u00fcr\u00fcd\u00fcr. \u00c7er\u00e7eve ne kadar geni\u015f tutulursa izleyicinin de dikkatini o kadar \u00e7ok \u00e7ekecektir ( g\u00f6stermek istedi\u011finiz ki\u015fi veya nesne). \u00c7er\u00e7eve dar olursa izleyicinin dikkati sadece bir nokta \u00fczerine yo\u011funla\u015facakt\u0131r.<\/p>\n

Farkl\u0131 okullar farkl\u0131 t\u00fcrden terimler kullanmaktad\u0131rlar. Bu \u00e7al\u0131\u015fma rehberinde terimler \u00f6zenle sizin ihtiyac\u0131n\u0131z\u0131 kar\u015f\u0131layacak \u015fekilde se\u00e7ilmi\u015ftir. Buradaki terimlerin di\u011fer kaynaklardan \u00e7ok daha basit ve sizin ihtiyac\u0131n\u0131z\u0131 kar\u015f\u0131layaca\u011f\u0131 d\u00fc\u015f\u00fcncesindeyiz.<\/p>\n

Adland\u0131rma ne olursa olsun, \u00f6nemli olan farkl\u0131 \u00e7ekimleri tan\u0131mak anlamak ve ne i\u015fe yarad\u0131klar\u0131n\u0131 bilerek bunlar\u0131 bir arada kullanmakt\u0131r.<\/p>\n

Film karesi t\u00fcrleri<\/strong><\/h4>\n

Tam: <\/strong>t\u00fcm insan fig\u00fcr\u00fc<\/p>\n

\u00dc\u00e7 alt ba\u015fl\u0131k vard\u0131r:<\/p>\n

    \n
  1. Geni\u015f: <\/strong>Resmin i\u00e7erisinde insan k\u00fc\u00e7\u00fck bir noktad\u0131r; ki\u015finin erkek ya da bayan oldu\u011funu, ya\u015f\u0131n\u0131, elbisesini dahi anlamak zordur. Nerede olduklar\u0131n\u0131, havay\u0131 ve ortam\u0131 g\u00f6r\u00fcr\u00fcz.<\/li>\n
  2. Orta: <\/strong>\u0130nsanlar\u0131 daha iyi g\u00f6r\u00fcrs\u00fcn\u00fcz, \u00f6rne\u011fin cadde de ayakta duran insanlar veya futbol izleyenler gibi.<\/li>\n
  3. Dar: <\/strong>Tepeden t\u0131rna\u011fa bir ki\u015fiyi net g\u00f6steren \u00e7ekimdir.<\/li>\n<\/ol>\n